Showing posts with label indie-rock. Show all posts
Showing posts with label indie-rock. Show all posts

Saturday, November 28, 2009

Loney, Dear: Dear John

Artist: Loney, Dear
Album: Dear John
Date Released: January 27, 2009
Genre: alt-rock, indie-rock, indie-pop
Rating: 8.0
Loney, Dear is the pseudonym of Swedish singer-songwriter and multi-instrumentalist Emil Svanängen. Dear John is Loney, Dear's third full-length album and the follow-up to his critically acclaimed Loney, Noir (2007).

On Dear John, Svanängen often treads perilously close to music that could be considered quite glossy and flowery, but his richly detailed arrangements and gorgeous soundscapes never allow the music to reach that point. Svanängen manages to darken these tracks with delicate moments of minimalism, his (almost uncomfortably) intimate vocal delivery, and plenty of minors and fifths.

Take the track, "Under a Silent Sea." Svanängen starts off with an unassuming acoustic guitar, but the arrangement slowly builds into one of the most powerful and dramatic tracks put out this year by any artist. The comparisons to Sufjan Stevens are not out of place.

Dear John is a difficult album to categorize and its charms aren't immediately recognizable. Stick with this album, though -- it's a real beauty.

Sunday, November 15, 2009

White Rabbits: It's Frightening

Artist: White Rabbits
Album: It's Frightening
Date Released: May 19, 2009
Genre: alt-rock, indie-rock
Rating: 7.2

It's Frightening is the sophomore release from White Rabbits, a sextet featuring two drummers and a piano player. Hailing from Columbus, MO, the White Rabbits refer to their music as "honky tonk calypso" -- a sound that isn't too far removed from other bands like The Walkmen and Spoon. In fact, for It's Frightening, the band recruited Spoon's Britt Daniel to produce.

The end result is undeniably Spoonesque and not nearly as fresh as their beloved debut, Fort Nightly, but it's a solid album nonetheless. The infectious and upbeat rhythms work beautifully with the ever-important White Rabbits piano, but this time around the band has refined their sound by adding the dynamism of improved guitar and vocal arrangements.

It's Frightening may not capture the spontaneity of their debut, but White Rabbits are quickly maturing as a band whose primary focus is in producing expertly arranged and well written songs. Track highlights include "Percussion Gun," "Rudie Fails," "They Done Wrong/We Done Wrong" and the Radiohead inspired "The Salesman (Tramp Life)."

Saturday, October 31, 2009

Future of the Left: Travels With Myself and Another

Artist: Future of the Left
Album: Travels With Myself and Another
Date Released: June 23, 2009
Genre: indie-rock, garage punk, punk revival
Rating: 7.8

Travels With Myself and Another is the third full-length release from the punky Welsh post-hardcore rockers Future of the Left. The tracks are high-energy and caustic with lyrics that are angry, scathing and downright obnoxious. But what else would you expect from a band that sounds like a bizarre intersection between Public Image Ltd. and Shellac? Track highlights include "Arming Eritrea," "Chin Music," "Throwing Bricks at Trains," and "Lapsed Catholics."

Friday, September 11, 2009

YACHT: See Mystery Lights

Artist: YACHT
Album: See Mystery Lights
Date Released: July 28, 2009
Genre: indie-rock, indie-pop, dance
Rating: 8.3

Review
: See Mystery Lights is an immensely enjoyable album from Portland's YACHT. Its tracks could easily serve double-duty as either dance tracks or pop singles. Khaela Maricich's vocals are sexy as hell and sung with just a touch of indifference and tongue-in-cheek. See Mystery Lights is an intricately assembled album with tunes that are as catchy and fun as its lyrics. Track highlights include "I'm in Love With a Ripper" and "The Afterlife."

The xx: The xx

Artist: The xx
Album: The xx
Date Released: August 25, 2009
Genre: indie-rock, indie-pop
Rating: 7.9

Review
: Super-hyped bands have a tendency to disappoint, but England's The xx have exploded from the gate with an genuinely excellent album. The self-titled debut is soulful, moderately paced and laden with influences spanning from 80's Cure through to Massive Attack and Portishead. And it boasts one of the best tracks of the year in "Crystalized."

Sunday, August 23, 2009

The Most Serene Republic: ...And the Ever Expanding Universe

Artist: The Most Serene Republic
Album: ...And the Ever Expanding Universe
Date Released: July 14, 2009
Genre: indie-rock, alt-rock, post-rock, experimental
Rating: 7.5

Review
: The Canadian music scene is alive and well -- it's arguably never been stronger. Now if only the rest of Canada would wake up to this fact. Case in point is The Most Serene Republic -- an outstanding and innovative 7-piece act from Toronto that's largely unknown in its home country. That being said, with ...And the Ever Expanding Universe, TMSR have released their most accessible album to date. There's no longer any excuse for ignoring this band.

The 2009 version of TMSR are a little less post-rock and bit more alt-rock, if not alt-pop. The tracks on ...And the Ever Expanding Universe are tighter and more constrained than before (take the Philip Glass inspired "Patternicity," a track that could have easily gone out of control), but they're no less daring and enjoyable. And as always, the band is high-energy and all about the fun factor (check out "Heavens to Purgatory" for a taste).

An excellent release from a very talented band.

The Veils: Sun Gangs

Artist: The Veils
Album: Sun Gangs
Date Released: April 7, 2009
Genre: indie-rock, alt-rock
Rating: 8.6

Review
: Sun Gangs is the third album from The Veils, a band with members from New Zealand, Germany and Britain. This time around it's a break-up album that find Finn Andrews ruminating about relationships and all the associated angst and frustration that go along with them.

With that as the backdrop, Sun Gangs provides a platform for The Veils to showcase their immense songwriting and arranging talents -- and as an opportunity for Andrews to display his tremendous vocal abilities; the Veils is what Rufus Wainwright would sound like if he formed an indie-band with Jeff Buckley.

Track highlights include "The Letter," "It Hits Deep," and "Sit Down by the Fire."

Tuesday, August 18, 2009

Sian Alice Group: Troubled, Shaken Etc.

Artist: Sian Alice Group
Album: Troubled, Shaken Etc.
Date Released: July 31, 2009
Genre: post-rock, experimental, indie-rock
Rating: 7.3

Review
: The sophomore release from Sian Alice Group finds them mellow and feeling a bit retro. With the occasional hints of Stereolab and Radiohead, the music is ultimately given its strength by the tender and often delicate vocals of Sian Ahern. A moody and atmospheric album, Troubled, Shaken Etc. will appeal to those looking to satiate their post-rock sensibilities. "Close to the Ground" is an album highlight.

The Fiery Furnaces: I'm Going Away

Artist: The Fiery Furnaces
Album: I'm Going Away
Date Released: July 21, 2009
Genre: indie-rock, alt-rock
Rating: 7.4

Review
: After a string of messy and (supposedly) experimental albums, The Fiery Furnaces return with a surprisingly solid and coherent effort in I'm Going Away. Fans of Gallowsbird's Bark and Blueberry Boat will be very pleased. Eleanor Friedberger 's immense vocal talents are finally given the tracks they deserve. "Even in the Rain" is a stand-out among 11 other solid tracks.

Friday, August 14, 2009

Japandroids: Post-Nothing

Artist: Japandroids
Album: Post-Nothing
Date Released: August 4, 2009
Genre: indie-rock, noise-rock
Rating: 9.0

Review: Post-Nothing, the debut from Vancouver duo Japandroids, is one of those albums that could be easily overlooked and passed over as another effort in the suddenly over-crowded noise-rock scene. But closer inspection reveals catchy riffs, shockingly good performances and no shortage of excellent melodies and grooves. And with lyrics like, "We used to dream, now we worry about dying," along with song titles like "I Quit Girls," it's a no-brainer: Post-Nothing is truly one of the best albums of 2009.

Thursday, July 9, 2009

Bill Callahan: Sometimes I Wish We Were An Eagle

Artist: Bill Callahan
Album: Sometimes I Wish We Were An Eagle
Date Released: April 14, 2009
Genre: indie-rock, alternative singer/songwriter, low-fi
Rating: 8.1

Review: Bill Callahan, the artist formerly known as Smog, has returned to more familiar territory on Sometimes I Wish We Were An Eagle: this album is moody, laid-back and devoid of frills.

As always, his low baritone is front and center, teasing the listener with his limited range. The arrangements are light, spacious and warm, providing a beautiful accompaniment to Callahan's striking voice.

Lyrically, Callahan is somber, angry and introspective. Indeed, it's the strength of the lyrics that power Sometimes I Wish We Were An Eagle. His statements and repetitive phrasing demand attention. On "Jim Cain" he sings,

Well I used to be darker
Then I got lighter, then I got dark again
Somethin' to be seen, was passing over
And over me
Well it seemed like a routine case at first
With the death of the shadow, came the lightness of births
In the darkest of nights, the truth still dazzled
And I work myself, until I'm frazzled
I ended up in search of ordinary things

But my favorite lyrics come on "Faith/Void," where he explores some more existential territory:

This is the end of faith, no more must I strive
To find my peace, to find my peace in the lie

It's time to put God away
It's time to put God away, I put God away

Callahan's my new hero.


Friday, July 3, 2009

Dinosaur Jr.: Farm

Artist: Dinosaur Jr.
Album: Farm
Date Released: June 23, 2009
Genre: indie-rock
Rating: 8.4

Review: With an album cover right out of the 70's and a sound characteristic of the early 90's, indie-rock veterans Dinosaur Jr. have released a gem worthy of comparison to their best work. The tracks are strong and dynamic, but it's the guitar work that makes Farm stand out. Those pining for the good ol' days of grunge (J Mascis is sounding like a very sleepy Eddie Vedder on this one; or is it the other way around?) and no-nonsense guitar rock will be very happy with this release.

Dirty Projectors: Bitte Orca

Artist: Dirty Projectors
Album: Bitte Orca
Date Released: June 6, 2009
Genre: indie-rock, experimental rock
Rating: 8.5

Review: Their most accessible work to date, Bitte Orca retains the experimentalism of previous releases while showcasing the Dirty Projectors' talents for complex vocal arrangements, melodies and harmonies. Bitte Orca is absolutely exploding in ideas; take "The Bride," for example, which intertwines Beatlesque harmonies and Led Zeppelin-like acoustic guitars with a modern indie touch reminiscent of Grizzly Bear. Stick with this one: it's a complex and rewarding release.

Tuesday, June 23, 2009

The Phantom Band: Checkmate Savage

Artist: The Phantom Band
Album: Checkmate Savage
Date Released: February 3, 2009
Genre: indie-rock, alternative rock
Rating: 7.8

Review: Hailing from Scotland, The Phantom Band's first studio release, Checkmate Savage, displays some very capable song-writing, but the arrangements could use some work. Musical influences on this album include Pavement and Stereolab. Track highlights include the extremely hooky "The Howling" and "Folksong Oblivion". Checkmate Savage sounds like an album that was produced by a veteran act -- definitely a band to keep an eye on.

Friday, June 19, 2009

Grizzly Bear: Veckatimest

Artist: Grizzly Bear
Album: Veckatimest
Date Released: May 26, 2009
Genre: alt-rock, indie-rock
Rating: 8.6

Review: Brooklyn-based Grizzly Bear's fourth studio album may be its finest yet. Veckatimest features complex arrangements and harmonies, a strong melodic sensibility, and some stellar sound design. Overall, however, it's lacking in song strength and track-by-track dynamics.

Sunday, May 31, 2009

Phoenix: Wolfgang Amadeus Phoenix

Artist: Phoenix
Album: Wolfgang Amadeus Phoenix
Date Released: May 26, 2009
Genre: alt-rock, indie-rock
Rating: 7.7

Review: Well-crafted, upbeat and danceable indie-rock. Fans of MGMT and Of Montreal will be at home with this album.



Thursday, May 14, 2009

DM Stith: Heavy Ghost

Artist: DM Stith
Album: Heavy Ghost
Date Released: March 10, 2009
Genre: indie-rock
Rating: 8.1
Review:

Heavy Ghost is the debut album from American singer/songwriter David Stith. Hailing from Buffalo, NY, Stith released his first record this year after being surrounded by music his whole life and has previously devoted his time to writing and drawing.

A bold piano sets the record into motion and from the first minute of the opening track, "Isaac’s Song," the record’s unique personality immediately takes hold. The track builds and subsides, with multiple sounds all crashing into each other -- and although it sounds like too much is happening at once, it carries off and leaves you with a tingling tongue, all in anticipation of what’s to come.

Stith’s vocals shimmer and echo all through Heavy Ghost, and it never strays too far from Thom York-ish qualities. The fourth track, “Pigs,” demonstrates his vocal capacity, while muffled acoustic strings dance around his words. The final minute of the track ends with an eerie drone, conjuring images of ghosts and spirits, as the sound swims all over your skin.

The start to "Spirit Parade" is brilliant, with what sounds like a typewriter tapping away, which leads into a soup of instruments swashing together to create an addictive and provocative sound.

Perhaps the highlight of Heavy Ghost comes with the gorgeous and unexpected intro to "Fire of birds", as fluttering violins capture the ear as they lead into perfect acoustic plucking, before swiftly rejoining the song at a leisurely, mellow pace. The song builds to the catchiest lyrical moment of the whole album, with the words, "we danced like we were on fire".

"Morning Glory Cloud" slides in with a sense of poignancy and purpose, as Stith sings “I have to breathe, I have to breathe, I had a dream and know its gone", as once again his vocals harmonize the song and expand it into a more rounded creation. "Braid Of Voices" is the closest this album comes to a dramatic climax, but it rises to exactly the right level before a small yet noteworthy change in tempo ends the song.

The album ends with the very loud and unsettling "Wig", which surges into infiltrating noise halfway through the song, and stays with you long after the album has finished; the listener is now more suitably aware of DM Stith at this point in the album.

Stith has had the chance to release a record into the world and its feels like he hasn’t wasted a single second. His vocal performance is fantastic and ever present, and the abundance of piano through the record only advances it further as it provides a refreshing break from the consistent presence of synthesizers in many new releases.

Heavy Ghost is intricate and intimate, textured and layered with a multitude of instruments and sounds, and although there isn’t a definable climax with any track, this album feels like it’s supposed to be a work of delicacy and subtlety, and takes quite a few listens until the full tapestry unfurls to reveal its shining bones.

Reviewed by Asa Masters.

Saturday, May 2, 2009

Metric: Fantasies

Artist: Metric
Album: Fantasies
Date Released: April 14, 2009
Genre: indie-rock, indie-pop, pop
Rating: 8.7
Review:

My initial reaction to Fantasies, Metric's fourth full length, was a resounding, "Wha?" It was definitely not what I expected from a band known for its edgy and even subversive post-punkish sensibilities. But as my surprise transitioned into acceptance, and as I properly digested the album, I now realize that Metric has put together an absolutely outstanding pop album.

This is a new Metric -- a band that has consciously chosen to dive headfirst into the pop arena. The album is upbeat, glossy and bubbly. A friend of mine referred to it as cotton candy -- and it's exactly that. Metric will undeniably lose some followers with this release, but they're guaranteed to gain 10 new fans for every one lost.

Despite the shift I'm still a Metric fan. I have a particular soft spot for a well crafted pop song, and Fantasies is full of them. Fantasies explodes out of the gates with three wham-bams: "Help I'm Alive", "Sick Muse" and "Satellite Mind." All three are drenched with an abundance of hooks and lyrical zingers.

Fantasies, despite its major scale tone, is often a contradiction in terms. The dark and self-reflective lyrics often work against the upbeat vibe as a sort of irony -- or as a way for the band to forcibly shatter the shackles of despair. On "Satellite Mind," vocalist Emily Hanes, who continues to have one of the sexiest voices in rock, declares, "I'm not suicidal, I just can't get out of bed." And on "Give Me Sympathy" she sings,
I can feel it in my bones
Gimme sympathy
After all of this is gone
Who'd you rather be?
The Beatles or the Rolling Stones?
Oh, seriously
You're gonna make mistakes, you're young
Come on, baby, play me a song
Like, "Here Comes the Sun"
Fantasies also features some excellent sound design; each track contains bits of ear candy that offer the album an added dynamism. I particularly enjoyed the Boards of Canada-esque lo-fi synth pads that colour "Twilight Galaxy."

Need a pick-me-up this summer? Look no further than Fantasies.

Reviewed by George Dvorsky.

Wednesday, April 29, 2009

Swan Lake: Enemy Mine

Artist: Swan Lake
Album: Enemy Mine
Date Released: March 24, 2009
Genre: indie-rock
Rating: 7.8

Review:

Enemy Mine is the second album from the Canadian collective Swan Lake - a supergroup comprised of the artistic minds behind such bands as The New Pornographers, Wolf Parade and Frog Eyes.

This album follows the 2006 debut Beast Moans. Certain similarities can be identified between the two full-lengths but Enemy Mine features more material of daring distinction. The Swan Lake sound delivered on this record not only complements the caliber of their unique musical scene, but also their personal and individual importance within it.

The album opens like a door hanging off its hinges, a gripping scene is set as the scrapes and lashes of “Spanish Gold, 2044” stomp into play. The luscious texture of “Heartswarm” is complimented by its bold vocal performance. These soaring chant-like vocals attack with a degree of hesitation throughout the record, strengthening the presentation of its character.

“Settle on your skin” is an upbeat number, a driven composition smothered in glowing noise. Its bouncing piano melodies conjure up an extra dimension. The ironically titled sixth track, “Peace,” is a challenging listen with haunting tones that dive deep into the senses as its jagged narration is scattered throughout the piece. But these are the tracks that are the special ones; there is no sweet without the sour.

Towards the end of the album we are introduced to further ideas, “A Hand At Dusk” is sophisticated and beautiful, its chords travel with your emotions as you hang on to each strike of the teasing piano introduction. A great listen clocking in at just over six minutes.

Enemy Mine plays with your mind using whirlwinds and whispers. It is a colourful record that will embrace the listener with time. It will only reveal its personality once it knows yours.

Reviewed by Leigh Padley.

The Decemberists: The Hazards of Love

Artist: The Decemberists
Album: The Hazards of Love
Date Released: March 24, 2009
Genre: indie-rock, indie-pop
Rating: 7.7

Review: The Hazards of Love is The Decemberists fifth studio release, an ambitious concept album that centers around the heroine Margaret, her impregnation by a shape-shifting animal, the Forest Queen, and various other characters. With The Hazards of Love, the Decemberists have crafted an album that is best listened to from start to finish -- one that offers one of the most satisfying musical experiences to come along this year. This is not the kind of album where the tracks can get thrown into a random playlist; this is a case where the whole is more than the sum of its parts.

Despite The Decemberists' seemingly strange concept and stage-show type approach, the otherworldly theme does not overpower or detract from the music. Instead, the lyrical content enriches both the music and the listening experience. The band is able to evoke a genuine emotional reaction from the listener and maintain interest despite some changes that seem to come right out of left field (as witnessed by the transition from harpsichord into chugga-chugga van rock on "The Queens Rebuke/The Crossing").

Indeed, The Hazards of Love feature songs that flow together with ease and lyrics that are begging to be sung. The storyline is not obscured beneath vagaries and metaphors; the lyrics still hold that trademark charm of previous Decemberists records. For example, from "The Hazards of Love 1":
She being full of charity a credit to her sex
Sought to right the fawn's hind legs
When here her plans were vexed
The Taiga shifted strange
The beast began to change
And like any good stage musical, The Hazards of Love even features a musical interlude that fits right in. But what I could have really done without is the eye-rolling children's choir.

The Hazards of Love ends in a rousing organ-drenched climax on "The Queen's Rebuke," a track that slowly brings the listener back down to the gorgeous “The Hazards of Love 4 (The Drowned)”.

It's not easy creating a concept album, particularly one that deliberately tries to sound like a stage show. But The Hazards of Love succeeds where many bands fail. The Decemberists have created a concept album in which the lyrics act in tandem with the music to produce a dramatic story that is just as interesting and strong as the songs themselves. This album may lack the catchy choruses of The Crane Wife, but it accomplishes so much more.

Standout tracks: "The Queens Rebuke/The Crossing", "Isn't It A Lovely Night", "Hazards of Love 4 (The Drowned)", and "The Rake's Song."

Reviewed by Ryan Konop.